Mode / scale reference (WIP)
Choose a mode and/or a starting key to get notes and chords within that scale.
- Ci
- Ddim
- D#/EbIII
- Fiv
- Gv
- G#/AbVI
- A#/BbVII
Root Note
In Key
Chord
Delay / pre-delay calculator
Grid
- 1/6432ms
- 1/3263ms
- 1/16125ms
- 1/8250ms
- 1/4500ms
- 1/21.000s
- 1/12.000s
- 2/14.000s
- 4/18.000s
Dotted
- 1/64.47ms
- 1/32.94ms
- 1/16.188ms
- 1/8.375ms
- 1/4.750ms
- 1/2.1.500s
- 1/1.3.000s
- 2/1.6.000s
- 4/1.12.000s
Triplet
- 1/64t21ms
- 1/32t42ms
- 1/16t84ms
- 1/8t167ms
- 1/4t334ms
- 1/2t667ms
- 1/1t1.333s
- 2/1t2.667s
- 4/1t5.333s
These timings can be useful for experimenting with delays and reverbs or manually syncing them to your tempo. 16th, 32nd, and 64th values might be useful for compression attack times for preserving or accentuating transients.
LFO / Hertz calculator
LFO & Note Durations
1/6432.000Hz
1/3216.000Hz
1/168.000Hz
1/84.000Hz
1/42.000Hz
1/21.000Hz
1/10.500Hz
2/10.250Hz
4/10.125Hz
These timings can be useful for experimenting with synthesizers and analog modelled gear.
Sub-bass compression attack minimums
| Note | Frequency | Time |
|---|---|---|
| C1 | 32.7 | 31 |
| C#/Db1 | 34.6 | 29 |
| D1 | 36.7 | 27 |
| D#/Eb1 | 38.9 | 26 |
| E1 | 41.2 | 24 |
| F1 | 43.6 | 23 |
| F#/Gb1 | 46.3 | 22 |
| G1 | 49.0 | 20 |
| G#/Ab1 | 51.9 | 19 |
| A1 | 55.0 | 18 |
| A#/Bb1 | 58.3 | 17 |
| B1 | 61.7 | 16 |
This table provides the time it takes to complete a single sub bass cycle. It may be beneficial for applying compression or layering in the sub-bass range.
Musical note frequencies
| Note (A4 = 440) | Frequency (Hz) | Range |
|---|---|---|
| C0 | 16.4 | sub bass |
| C# / Db0 | 17.3 | sub bass |
| D0 | 18.4 | sub bass |
| D# / Eb0 | 19.4 | sub bass |
| E0 | 20.6 | sub bass |
| F0 | 21.8 | sub bass |
| F# / Gb0 | 23.1 | sub bass |
| G0 | 24.5 | sub bass |
| G# / Ab0 | 26 | sub bass |
| A0 | 27.5 | sub bass |
| A# / Bb0 | 29.1 | sub bass |
| B0 | 30.9 | sub bass |
| C1 | 32.7 | sub bass |
| C# / Db1 | 34.6 | sub bass |
| D1 | 36.7 | sub bass |
| D# / Eb1 | 38.9 | sub bass |
| E1 | 41.2 | sub bass |
| F1 | 43.6 | sub bass |
| F# / Gb1 | 46.3 | sub bass |
| G1 | 49 | sub bass |
| G# / Ab1 | 51.9 | sub bass |
| A1 | 55 | sub bass |
| A# / Bb1 | 58.3 | sub bass |
| B1 | 61.7 | sub bass |
| C2 | 65.4 | bass |
| C# / Db2 | 69.3 | bass |
| D2 | 73.4 | bass |
| D# / Eb2 | 77.8 | bass |
| E2 | 82.4 | bass |
| F2 | 87.3 | bass |
| F# / Gb2 | 92.5 | bass |
| G2 | 98 | bass |
| G# / Ab2 | 103.8 | bass |
| A2 | 110 | bass |
| A# / Bb2 | 116.5 | bass |
| B2 | 123.5 | bass |
| C3 | 130.8 | upper bass |
| C# / Db3 | 138.6 | upper bass |
| D3 | 146.8 | upper bass |
| D# / Eb3 | 155.6 | upper bass |
| E3 | 164.8 | upper bass |
| F3 | 174.6 | upper bass |
| F# / Gb3 | 185 | upper bass |
| G3 | 196 | upper bass |
| G# / Ab3 | 207.7 | upper bass |
| A3 | 220 | upper bass |
| A# / Bb3 | 233.1 | upper bass |
| B3 | 246.9 | upper bass |
| C4 | 261.6 | lower midrange |
| C# / Db4 | 277.2 | lower midrange |
| D4 | 293.7 | lower midrange |
| D# / Eb4 | 311.1 | lower midrange |
| E4 | 329.6 | lower midrange |
| F4 | 349.2 | lower midrange |
| F# / Gb4 | 370 | lower midrange |
| G4 | 392 | lower midrange |
| G# / Ab4 | 415.3 | lower midrange |
| A4 | 440 | lower midrange |
| A# / Bb4 | 466.2 | lower midrange |
| B4 | 493.9 | lower midrange |
| C5 | 523.3 | middle midrange |
| C# / Db5 | 554.4 | middle midrange |
| D5 | 587.3 | middle midrange |
| D# / Eb5 | 622.3 | middle midrange |
| E5 | 659.3 | middle midrange |
| F5 | 698.5 | middle midrange |
| F# / Gb5 | 740 | middle midrange |
| G5 | 784 | middle midrange |
| G# / Ab5 | 830.6 | middle midrange |
| A5 | 880 | middle midrange |
| A# / Bb5 | 923.3 | middle midrange |
| B5 | 987.8 | middle midrange |
| C6 | 1046.5 | upper midrange |
| C# / Db6 | 1108.7 | upper midrange |
| D6 | 1174.7 | upper midrange |
| D# / Eb6 | 1244.5 | upper midrange |
| E6 | 1318.5 | upper midrange |
| F6 | 1396.9 | upper midrange |
| F# / Gb6 | 1480 | upper midrange |
| G6 | 1568 | upper midrange |
| G# / Ab6 | 1661.2 | upper midrange |
| A6 | 1760 | upper midrange |
| A# / Bb6 | 1864.7 | upper midrange |
| B6 | 1975.5 | upper midrange |
| C7 | 2093 | present midrange |
| C# / Db7 | 2217.5 | present midrange |
| D7 | 2349.3 | present midrange |
| D# / Eb7 | 2489 | present midrange |
| E7 | 2637 | present midrange |
| F7 | 2793.8 | present midrange |
| F# / Gb7 | 2960 | present midrange |
| G7 | 3136 | present midrange |
| G# / Ab7 | 3322.4 | present midrange |
| A7 | 3520 | present midrange |
| A# / Bb7 | 3729.3 | present midrange |
| B7 | 3951.1 | present midrange |
| C8 | 4186 | high end |
| C# / Db8 | 4434.9 | high end |
| D8 | 4698.6 | high end |
| D# / Eb8 | 4978 | high end |
| E8 | 5274 | high end |
| F8 | 5587.6 | high end |
| F# / Gb8 | 5919.9 | high end |
| G8 | 6271.9 | high end |
| G# / Ab8 | 6644.9 | high end |
| A8 | 7040 | high end |
| A# / Bb8 | 7458.6 | high end |
| B8 | 7902.1 | high end |
A table of musical notes and their corresponding frequencies (when A=440). This is useful for instrumentation ranges and EQing. It is generally best practice to roll off the lows between 20 and 40 Hertz.
To Do
Updates that need to be made. Short term roadmap.
- Toggle between ms / samples
- Add piano roll with scale keys highlighted
- Highlight corresponding frequency notes in the table
- dark/light/color modes
- ms/sample converter
Millisecond --> Samples (WIP)
0 samples